Books
Gender, Media and Voice: Communicative Injustice and Public Speech (2020, Palgrave)
The Wedding Spectacle Across Contemporary Media and Culture: Something Old, Something New (2019, Routledge) *with Helen Wood and Melanie Kennedy (eds.)
The Past in Visual Culture: Essays on Memory, Nostalgia and the Media. (2016, McFarland) * with Cat Mahoney and Caitlin Shaw (eds.)
Peer reviewed journal articles
(forthcoming, under review) ‘From femcels to ‘femcelcore’: women’s involuntary celibacy and the rise of heteronihilism’, with Jacob Johanssen.
(forthcoming, under review) ‘The reactionary turn in popular feminism’.
(forthcoming, under review) ‘From plant consciousness to class consciousness: seeding eco-socialism in popular media culture’.
(2021) ‘“The race for space”: capitalism, the country and the city in Britain under Covid 19’, Continuum: Journal of Media & Cultural Studies. Open access. *with Helen Wood
(2021) ‘“I am against Americanizing England. Ordinary TV does not seem to have an elevating influence”: class, gender, public anxiety, and the responses to the arrival of commercial television in the Mass Observation Archive, UK’, Feminist Media Studies, Open Access. Online First. *with Helen Wood.
(2018) ‘Gender, media and protest: the framing of the suffragette Emily Wilding Davison in British newspapers, 1913-2013’, Media History, Online First * with Kaitlynn Mendes
(2015) ‘Speaking bitterness: second wave feminism, television talk, and the case of No Man’s Land’ in Feminist Media Histories, 1(2), pp.64-‐89.
(2014) ‘”The Sunday Times among them”: Good Afternoon! and the gendering of afternoon television in the 1970s’ in Critical Studies in Television, 9(2), pp.74‐93.
(2014) ‘Framing the cuts: An analysis of the BBC’s discursive framing of the austerity agenda’ in Journalism: Theory, Practice and Criticism, 15(6), pp. 754-‐772. * With L. Salter
(2011) ‘The UWE student occupation’ in Social Movement Studies 10 (4), pp.423-‐429. *with L. Salter
Short-form articles
(2024) ‘Reactionary feminism in a post-truth frame: on the theoretical value of Believability’. Roundtable discussion in Feminist Theory on the book Believability: Sexual Violence, Media and the Politics of Doubt by Sarah Banet-Weiser and Kathryn Claire Higgins.
(2023) ‘On joining the editorial team of European Journal of Cultural Studies in its twenty-fifth year’. European Journal of Cultural Studies. Online First. Open access.
(2021) ‘A life lasts longer than the body through which it moves: an introduction to a special Cultural Commons section on Raymond Williams’. European Journal of Cultural Studies. Online First. Open access.
(2021) ‘Gender and Transnational Media’ - introductory essay to a special issue, Feminist Media Studies, Online First. Plus the introductory essay to the Commentary and Criticism section on ‘Gender and Transnational Media’.
(2020) ‘“Stay the fuck at home!”: feminism, family and the private home in a time of coronavirus’ - free to access - in Feminist Media Studies, Online First.
(2020) ‘Re-enchanting the crisis: rurality, futurity and covid-19’ - Open Access - in European Journal of Cultural Studies, Online First.
(2019) ‘Feminist anger and feminist respair’ in Feminist Media Studies, 19:4, 603-609 *with Sarah Banet-Weiser - read for free here
(2019) ‘Introduction: anger, media, and feminism: the gender politics of mediated rage’, Feminist Media Studies, 19:4, 591-615 - read for free here
(2017) ‘Arriving late to the party? Histories of Cultural Studies as resources of hope’ in European Journal of Cultural Studies, 20th anniversary special issue.
Book chapters
(2023) ‘The politics of the traumatised voice: communicative injustice and structural silencing in contemporary media culture’ in Routledge Companion to Gender, Media & Violence, eds. Karen Boyle and Susan Berridge.
(2022) ‘Gender and authenticity in contemporary popular culture and advertising’, invited introduction to a section in Cultures of Authenticity, eds. M. Hermanova, T. Thurnell-Read and M. Skey. Emerald.
(2021) ‘Abject Desires in the Age of Anger: Incels, Femcels, and the Gender Politics of Unfuckability’ in Imagining ‘We’ in the Age of ‘I’: Romance and Social Bonding in Contemporary Culture, ed. Mary Harrod, Suzanne Leonard and Diane Negra. London: Routledge.
(2021) ‘Trans Exclusionary Radical Centrism: the Guardian, Neoliberal Feminism, and the Corbyn Years’ in Capitalism’s Conscience: 200 Years of the Guardian, ed. Des Freedman. Pluto Press. *with Mareile Pfannebecker.
(2021) ‘Celebritised Anger: Theorising Women’s Rage, Voice and Affective Injustice through Hannah Gadsby’s Nanette’ in Gender and Australian Celebrity Culture, eds. Anthea Taylor and Joanna McIntyre. London: Routledge.
(2020) ‘Feminism in the Press and the Feminist Press: Newspaper Representations of Suffragettes in Britain and Ireland’ in A. Bingham and M. Conboy (eds.) Edinburgh History of the British and Irish Press. Edinburgh University Press.* with Kaitlynn Mendes
(2019) ‘Making a spectacle of yourself: British-Asian wedding videography as alternative archives of belonging’ in The Wedding Spectacle Across Contemporary Media and Culture: Something Old, Something New eds. J.B. Kay, M. Kennedy and H. Wood
(2017) ‘The working class, reality television and illegitimate cultural labour’ in Andrea Press and June Deery (eds.) Media and Class. Abingdon and New York: Routledge. * with Helen Wood and Mark Banks
(2016) ‘Dreaming of the ‘good life’: gender, mobility and anxiety in Wanted Down Under’ in R. Moseley, H. Wheatley and H. Wood (eds.) Television for Women: New Directions. Abingdon and New York: Routledge. *with Helen Wood. Read for free here
(2016) ‘Watch the Woman, ‘rogue’ feminism, and 1980s television for women’ in The Past in Visual Culture: Essays on Memory, Nostalgia and the Media. Jefferson: McFarland.
(2016) ‘Introduction’ in K. Mendes (ed.) Gender and the Media (Critical Concepts in Media and Cultural Studies Series). Abingdon and New York: Routledge.* with Kaitlynn Mendes
(2014) ‘Home Comforts? Gender, media, and the family’ in Martin Conboy and John Steel (eds.) The Routledge Companion to British Media History. Abingdon and New York: Routledge, pp. 122‐132. *with Kaitlynn Mendes
(2014) ‘”Media virgins versus political lions”: Historicising the gender politics of Question Time’, in L. Mee and J. Walker (eds) Cinema, Television and History. Newcastle: Cambridge Scholars, pp.182‐199.